Flamenco Divino

Flamenco Criollo

FBN proudly presents its own creation Flamenco Criollo, a search for the roots of flamenco. Led by New York based Cuban pianist Aruán Ortíz, a colourful musical ensemble of musicians from Morocco, Palestine, Cuba, Spain and the United States will bring melancholy sounds from Al-Andaluz and dynamic rhythms from Africa, translated into modern compositions. Listen how original Moorish melodies travelled to colonial Cuba by way of Spain in the 17th and 18 centuries and returned enriched by rhythms. With rising stars María Moreno (dance) and Ismael de la Rosa (singing). Flamenco Criollo’s seven-day tour of the Low Countries is at the heart of this Biennial. The production was created in collaboration with the Dutch contemporary music festival November Music.

Le Sacre du Printemps

Dancer/choreographer Israel Galván made his breakthrough in the Netherlands at FBN’s first edition. The one-time “enfant terrible” has become world famous, but still likes to probe the boundaries of the art of flamenco. Following in the footsteps of legendary Russian dancer Vaslav Nijinsky (1889-1950) he will present, with renowned Dutch pianists Daria van den Bercken and Gerard Bouwhuis, an exciting percussive reinterpretation of Stravinsky’s masterpiece Le Sacre du Printemps. “It’s a journey from my Spanish tradition to European and Russian modernity,” says Galván, known in some quarters as “flamenco’s Nijinsky”.

Physical poetry

Rocío Molina, the “Madonna of modern flamenco”, is back. After recently becoming a mother, the idiosyncratic dancer from Málaga reinvents herself in her new creation Al Fondo Riela (At a Sparkling Depth) in which she dances “from scratch”. With two young ace guitarists, Eduardo Trasierra and Yerai Cortés, she explores the relationship between the flamenco and guitar bodies and, in doing so, the limits of her own capacities and of the genre. Down to the bone. And with incredibly physical poetry. You can leave that to “La Molina”: “While creating this performance, I actually thought that the whole dance should disappear. That I myself, as a dancer, even as a person, should disappear. I just wanted to listen, with my body, to every single note on the guitar, to become a vibration even, just like the instrument’s.” In addition to her performance, Rocío Molina will be giving a public master class from the OBA public library’s auditorium in Amsterdam.

A new generation of dance makers

On the Tightrope | En la Cuerda Floja is the latest creation by dancer/choreographer Ana Morales. Conceived in pre-corona times, but more relevant than ever. A performance about losing balance and finding a new equilibrium. “A stunning essay about movement and the limitations of the body. As well as a reflection about the state of paralysis in which we find ourselves and a call to action,” wrote one Spanish newspaper.
The female, the subconscious, often associated with the night, is the starting point forTodas las Noches by Vanesa Aibar & Sara Cano. These two Spanish dancers/dance makers impressed before in the Netherlands and will now, in November, share the stage for the first time in this new creation (European premiere). Rafael Estévez & Valeriano Paños will present Silencios, a duet they created, inspired by an essay from A Year from Monday by John Cage.